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African Arts Latest News Sport

Vincent Unogwu Building Volley-Ball Culture in Nigeria

Coach, National Volley-Ball Team, Vincent Unogwu, first from Right and players
Coach, National Volley-Ball Team, Vincent Unogwu, first from Right and players

 

Day and night, some sports enthusiasts in Nigeria are tidying up sequences on how to mainstream volley-ball game inn the country. But your guess is as good as mine—it won’t be as easy as a walk-over. Reason is because Nigerians love already made mono-product. The culture of cultivating new grounds and getting it to start yielding is not present in Nigeria. If you doubt this, you can ask politicians. The only promising political party is the ruling party. Other political parties irrespective of their political ideologies can go to blazes. The economy depends on oil alone, despite the fact that other revenue sources could be viable.

In sports, for Nigeria, it’s football. Men and female football. Other sports no matter how interesting they might be are not attractive.  

Despite these disincentives, some sports lovers and doing all they could to build volley-ball sports base in Nigeria. And their efforts are already paying-off as a good number of school children are now getting interested in volley-ball.

A young Nigerian, Vincent Unogwu, is taking the initiative of catching them young and training them on volley-ball. Mr. Unogwu has been inviting sports lovers from both private and public sectors to invest in volley-ball game in Nigeria. Interestingly, some individuals and organisations are already keying in as patrons and partners.

Over the weekend, Mr. Unogwu and patrons organized a dinner for the young volley-ball National players. Reason was to inspire them more and also think of strategies to grow the game in Nigeria.

Unogwu said: “Nigeria has a lot of talents. What we are doing is to harness these talents. These children are doing very well. I remember some years ago when I invited these kids from their houses. Their parents did not like the idea. But I kept on encouraging and training them. Today, they are the best in the country. Some of them have left the shores of Nigeria to play in Europe. Very soon, some more will get the opportunity to travel out. We keep encouraging them and also inviting more children”, he said.

He noted that the challenge they face is agency support. “We need government agencies to support these children so that they could leverage those platforms to access international opportunities. If it comes to talent, we have it. and we are not relenting”, he noted.

He said with support from patrons and well-meaning individuals, volley-ball game is gaining popularity across the country and volley-ball courts are now springing up in Abuja, Ebonyi, Kaduna, Jos and other parts of the country.

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African Arts Culture Latest News

South African choir wins at world championships

Its members are aged between 14 and 42. Credit/BBC
Its members are aged between 14 and 42. Credit/BBC

 

A choir from South Africa who’ve won three international medals are overjoyed, saying it’s “just like the Olympics and football World Cup”.

Bokamoso Choir are from a town called Mabopane, just north of Pretoria, and flew home from the World Choir Games in South Korea at the weekend.

They told the Sowetan newspaper it was their first time competing at the global event that drew more than 46 countries and 400 choirs.

“Winning these gold medals has put us in a better position because now we are sitting at number four in the world standings. This has officially launched our name worldwide and will open some doors for us,” choir head Nceba Mdaka told the newspaper.

“We want to use arts and music as a get-away from poverty for these talented people.”

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African Arts Latest News

Libianca BET awards excites Cameroonians

Cameroon's Libianca won in the best new international act category chosen by BET viewers.
Cameroon’s Libianca won in the best new international act category chosen by BET viewers.

 

Nigeria’s Burna Boy has been acclaimed as the best international act at last night’s BET awards in Los Angeles making it the fourth time he has won the award.

This time he was up against the likes of South Africa’s Ko and Britain’s Stormzy and Central Cee.

Cameroon’s Libianca won in the best new international act category chosen by BET viewers.

Her song People (Check On Me) has been streamed more than 320 million times since December. It sat on the top of the UK’s Afrobeats chart for eight weeks and got into the UK’s official Top 10 – a first for an artist from Cameroon.

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African Arts Culture

Global Launch of African Folktales, Reimagined short films, March 29

Korede Azeez, winner African Folktales, Reimagined short films
Korede Azeez, winner African Folktales, Reimagined short films

 

Tales as old as time from across the African continent, reimagined and retold by a new generation of six storytellers come together, the African Folktales, Reimagined short films in partnership with United Nations Educational, Scientific and Cultural Organization (UNESCO), will launch on Netflix (www.Netflix.com) on 29 March 2023 (https://apo-opa.info/3LAUDFP).

The anthology of six short films was launched as part of Netflix’s partnership with UNESCO to support the next generation of storytellers who were provided with resources including a $90 000 budget and creative guidance by established filmmakers as mentors to bring their stories to life. The emerging filmmakers were selected in 2021 following a call for submission that resulted in over 2000 applications from 13 countries in the sub-Saharan Africa region. The 6 emerging storytellers from Nigeria, South Africa, Mauritania, Kenya, Uganda and Tanzania will see their respective short films, make their debut on Netflix, globally.

The African Folktales, Reimagined short film collection features a variety of African on-screen talent in stories by emerging African storytellers such as Mohamed Echkouna from Mauritania with Enmity Djinn; Walt Mzengi Corey from Tanzania with Katope; Korede Azeez from Nigeria with Zabin Halima (Halima’s Choice); Voline Ogutu from Kenya with Anyango and the Ogre; Loukman Ali from Uganda with Katera of the Punishment Island and Gcobisa Yako from South Africa with MaMlambo.

Synopsis / Key Cast & Crew

  • Zabin Halima (Halima’s Choice) – by Korede Azeez – Nigeria

With 99% of the world population uploaded into virtual worlds, a young girl from a secluded Fulani village inadvertently elopes with an AI to escape an arranged marriage. Genre: Sci-fi, Fantasy; Language: Hausa; Director: Korede Azeez; Producer: Kenneth Gyang; Cast: Habiba Ummi Mohammed; Adam Garba, Produced by Cinema Kpatakpata.

  • Anyango and the Ogre – by Voline Ogutu – Kenya

With the backdrop of a childhood folktale, 13-year-old Otis struggles to protect his younger siblings from a monster that lives inside their home.  Genre: Fantasy, Drama; Language: KiSwahili and English; Director: Voline Ogutu; Producer: Sarah Hassan; Cast: Trevor Jones Kamau; Sarah Hassan, Produced by Alfajiri Productions.

  • Katera of the Punishment Island – by Loukman Ali – Uganda

Abandoned on an island, a woman grieving the loss of her baby exacts revenge on the powerful man who put her there. Genre: Thriller; Language: Runyankole and English; Director & Producer: Loukman Ali; Cast: Karababiito Tracy; Michael Wawuyo JRProduction company: Loukout Films.

  • Katope – by Walt Mzengi Corey – Tanzania

A young child with magical origins sets out on a journey to help end the drought that is devastating the community – even if it means risking their own life. Genre: Fantasy, Drama; Language: KiSwahili and ciGogo; Director: Walt Mzengi Corey; Producer: Petrus Van Staden; Rebecca Mzengi Corey Cast: Jene Mahenyela Mwalimu; Rahele Matete;  Production company:  Solela Art and Film

  • Enmity Djinn – by Mohamed Echkouna – Mauritania

Three generations after he was last summoned, an ancient Enmity Djinn finds himself in an unfamiliar city confronted by a familiar foe. Genre: Fantasy/Drama; Language: Hassaniya Arabic and French; Director & Producer: Mohamed Echkouna; Cast: Zainabou Ahmed Mohamed; Mamadou Mokhtar N’diaye Gueye.

  • MaMlambo – by Gcobisa Yako – South Africa

The mystical river being, MaMlambo, watches over the sacred waters of discarded bodies. Genre: Drama; Language: isiXhosa; Director: Gcobisa Yako; Producer: Pakiso Albertus; Cast: Simphiwe Dana; Zikhona Bali

Each storyteller was partnered with a local production company and under the guidance of Netflix-appointed supervising producer, Steven Markovitz from Big World Cinema and industry mentors: Bongiwe Selane (mentor to Gcobisa); Jenna Bass (mentor to Korede); Pape Boye (mentor to Loukman); Femi Odugbemi (mentor to Mohamed); Leila Afua Djansi (mentor to Voline) and Tosh Gitonga (mentor to Walt) who provided guidance and nurtured the filmmakers on their journey to bring their stories to life.

UNESCO is proud to present the tales of Africa, reimagined by its emerging, homegrown talents. At the crossroads of tradition, innovation, heritage and creativity, African expressions in the 21st century are as diverse and dynamic as its people. The UNESCO-Netflix partnership represents our shared commitment to the audiovisual industries of Africa, which have the potential to generate US$20 billion in revenues annually. African creativity is a force for sustainable development, and we cannot wait for the audiences around the world to feel its unstoppable energy,” says Ernesto Ottone R., the UNESCO Assistant Director-General for Culture.

“We are excited to finally bring this anthology of short films created by the next generation of African storytellers to Netflix members around the world,” says Tendeka Matatu, Netflix’s Director of Film in Africa. “This initiative is a testament to our ongoing efforts to strengthen the pipeline of African storytelling and to include voices from underrepresented communities. We’re grateful to our partners at UNESCO who walked this journey with us to provide an opportunity for the six emerging African filmmakers to create and showcase their reimagined folktales to the world, in their own languages, so that more people can see their lives reflected on screen.”

Distributed by APO Group on behalf of Netflix.
 

Official Trailer: Watch here (https://apo-opa.info/42kiSyh)
Download here (https://apo-opa.info/401yIvU)
Key art Vertical here (https://apo-opa.info/3TrrleI)
Key art Horizontal here (https://apo-opa.info/3ZVKJD8)

For press inquiries, please contact:
Mokgadi Seabi

Communications Manager- SSA
mokgadi@netflix.com

Thomas Mallard
UNESCO
t.mallard@unesco.org

Theo Nel
Senior Account Manager
Eclipse Communications
theo@eclipsecomms.com

About UNESCO:
Culture is a global public good. This is why the United Nations Educational, Scientific and Cultural Organization (UNESCO) protects and promotes heritage and creativity all around the world, in all its diversity. The African film industry has the potential to generate over 20 million jobs and drive the continent’s creative economy. UNESCO provides tools to construct a sustainable creative economy in Africa, including cultural policy recommendations and research, needs-based capacity building, advocacy and community empowerment.

About Netflix:
Netflix is the world’s leading streaming entertainment service with 231 million paid memberships in over 190 countries enjoying TV series, documentaries, feature films and mobile games across a wide variety of genres and languages. Members can play, pause and resume to watch as much as they want, anytime, anywhere, and can change their plans at any time.

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African Arts

Onobrakpeya, Chimamanda, others for Creative Africa Nexus in Abidjan

Prof. Bruce Onobrakpeya
Prof. Bruce Onobrakpeya

 

The Creative Africa Nexus Weekend (CANEX WKND 2022) (https://www.CANEX.Africa), taking place from 25 – 27 November 2022 in Abidjan, Côte d’Ivoire, will feature international superstar Idris Elba. The actor is scheduled for the “When giants speak” Fireside Chat on Saturday 26 November, among other activities.

Idris Elba will bring his wealth of experience and insights into the global film industry as part of the CANEX WKND programme, which includes panel discussions, Fireside Chats, Masterclasses and Live performances. With roots in Sierra Leone and Ghana, Elba represents the astounding success of people of African descent within the global entertainment industry. He joins a list of over 100 top speakers from Africa and the diaspora, representing a range of creative sectors, who have confirmed their participation in Africa’s most sought-after gathering of creatives.

Elba is an award winning actor, musician, filmmaker and philanthropist, well-known for roles such as Nelson Mandela in the biographical film Mandela: Long Walk to Freedom, Stringer Bell in the HBO series The Wire, and DCI John Luther in the BBC One series Luther, for which he won a Screen Actors Guild award for Best Actor.

Organised by African Export Import Bank (Afreximbank) in partnership with the Government of Côte d’Ivoire, CANEX WKND is a major milestone in the Bank’s implementation of its Creative Africa Nexus (CANEX) programme; a multi-faceted intervention aimed at supporting and developing Africa’s rapidly growing creative and cultural industries. Afreximbank has identified the African diaspora as an essential component of the CANEX programme.

CANEX WKND will also feature some of Africa and the diaspora’s top creative names, experts, brands, and thought leaders that will include:

  • Prof. Bruce Onobrakpeya (Nigeria)
  • Didier Drogba, Retired Professional Footballer (Côte d’Ivoire)
  • Alex Okosi, Managing Director of EMEA Emerging Markets at YouTube (Nigeria)
  • Elvis Adidiema, Director, Sony Music for French-speaking Africa (Congo)
  • Abdul-Karim Abdullah, Founder and Chief Executive Officer of Culture Management Group (CMG) and Afrochella Festival (Ghana)
  • Magali Ohouens, Modern Art Specialist & Exhibition Coordinator at Cécile Fakhoury Gallery (Côte d’Ivoire)
  • Armando Cabral, Founder and Creative Director, Armando Cabral (Portugal) and
  • Chimamanda Ngozi Adichie, Author (Nigeria), amongst others.

Sessions are open to all registered CANEX WKND delegates along with all Masterclasses that commence on Thursday 24 November. For more information and to register for free go to www.CANEX.Africa.

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African Arts

Cultura, Ivorian prize to celebrate cultural journalists

The competition rewarding cultural journalism was announced on September 21 at a press conference in Abidjan
The competition rewarding cultural journalism was announced on September 21 at a press conference in Abidjan

As part of the promotion of the cultural industry in Côte d’Ivoire, Sion Medias group has just launched its cultural journalism competition, this Wednesday, September 21, 2022.

Download document: https://bit.ly/3SasWEn

Through the first edition of its award ceremony, the organizers intend to honour the men and women who contribute to the emergence of cultural journalism in Côte d’Ivoire.

“This award aims to promote the cultural journalists and culture,” said Tanguy Blais, general commissioner of Cultura. He was surrounded by Morisson Kassi, general coordinator and Pélagie Djadou, communication manager.

A gala dinner is scheduled for November 19, 2022 during which the main axes of this prize will be presented, in particular the conditions of participation and the presentation of the jury of experts. During this evening, the pioneers of cultural journalism in Côte d’Ivoire will be honoured.

For the first edition of Cultura, the participants will compete in four categories, five prizes per category, five nominees per category, a super prize: The Grand Prix Cultura and special prizes.

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African Arts

AFRIMA 2022: Public Voting Has Started Sunday September 25

Burnaboy, Nigeria
Burnaboy, Nigeria

 

The voting portal for the 2022 edition of the All Africa Music Awards (AFRIMA) (https://www.AFRIMA.org) will be opened on Sunday, September 25, at 21:00 (CAT),  to the public, globally, to decide the winners of each of the 39 award categories.

The International Committee of the All Africa Music Award (AFRIMA), in conjunction with the African Union Commission (AUC), made this announcement, on Friday, encouraging African music lovers to vote intensively using the voting portal live at www.AFRIMA.org, before the portal closes on December 10, 2022, which is the eve of the awards.

More information on the voting process, which would also be audited by the International auditing firm, PriceWaterHouseCoopers (PWC), can also be found on the website, as well as AFRIMA’s social media (Instagram/TikTok – @Afrima.official; Facebook – Afrimawards; Twitter – @afrimaofficial).

Like it did at the AFRIMA 2021 edition, the PWC, which has audited other major global awards including the Oscars, will audit the voting portal, collate the votes and present them at the awards.

According to AFRIMA’s Executive Producer/President, Mike Dada, “AFRIMA’S core values of FACE IT – Fairness, Authenticity, Creativity, Excellence, Integrity and Transparency remain at the heart of our operations. With PWC, we are further reinforcing these value drivers, ensuring that we remain as inclusive, credible and authentic as always.”

Recall that the list of nominees were unveiled globally, last Wednesday, revealing a  total of 382 nominations across all 39 categories. The nominations, which have been greeted with positive acclaim across the world, are the fruit of a rigorous 10-day adjudication held by AFRIMA’s 13-member jury, in July. Also, only entries within the validity period of August 20, 2021 to August 5, 2022, were considered for nomination for this year’s awards.

According to AFRIMA’s Executive Producer/President, Mr Mike Dada, the awards body remains the ultimate recognition of African music globally, also serving as a muse to other award bodies across the continent.

“We are not oblivious to the fact that there are some other award bodies that copy our nominations every year. As the ultimate recognition of African music, globally, we are a source of inspiration to both music gatekeepers and music lovers across the entire industry. AFRIMA continues to blaze the trail in celebrating African talent and developing our creative ecosystem, and this year’s edition is a step further in that direction,” he said.

On her part, the African Union Commission’s Head of Culture, Mrs Angela Martins encouraged music lovers to vote decisively and objectively.

She said, “We have done our part. It is left to you the fans to now decide your winners. Remember that these categories are highly competitive and are based on merit. Let your votes help the best person(s) emerge as champion.”

The 2022 All Africa Music Awards will now be held from the 8th to 11th December, 2022. A special announcement will be made on the host country and location for the awards, on 30th September, 2022.

The AFRIMA awards ceremony will feature a 4-day fiesta of music, glitz, and glamour aimed at celebrating Africa, recognising talents and expanding the economic frontiers of the culture and  creative industry on the continent. The event is scheduled to commence with the welcome soiree, followed by the AFRIMA Music Village, the host city tour, Africa Music Business Summit, and the exclusive nominees’ party and concluded with the live awards ceremony broadcast to over 84 countries around the world.

African music lovers can take part in the events on social media, live stream on the AFRIMA website at www.afrima.org and visit the social media platforms (IG/TikTok – @afrima.official; Facebook – Afrimawards; Twitter – @afrimaofficial; LinkedIn – AFRIMA) ), and they can watch the event coverage by tuning in to their local and cable TV providers.

In partnership with the African Union Commission, AFRIMA is a youth-focused music platform that recognizes and rewards the work and talents of African artistes across generations.

AFRIMA primarily stimulates conversations among Africans, and also the rest of the world, especially on the potential of the creative arts for fostering real human enterprise, as well as contributing significantly to social cohesion, as well as sustainable development in Africa. The Programme of events is in line with the AU Agenda 2063 which outlines Aspiration 05 as the development of the arts and culture sector including its cultural and creative industries, to boost the development of the African economy.

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African Arts

Burna Boy, Asa, Simi, Others listed as AFRIMA Unveils Nominees for 2022

All Africa Music Awards (AFRIMA) Unveils Nominees List for 2022 Edition Public Voting Commences Globally September 25, Main Awards To Hold Dec 8-11
All Africa Music Awards (AFRIMA) Unveils Nominees List for 2022 Edition Public Voting Commences Globally September 25, Main Awards To Hold Dec 8-11

 

LAGOS, Nigeria, September 21, 2022/ — The International Executive Committee of the All Africa Music Awards (AFRIMA) (https://www.AFRIMA.org), in conjunction with the African Union Commission (AUC), released the official list of nominees for the 2022 edition.

Download document 1: https://bit.ly/3UrlFBH
Download document 2: https://bit.ly/3BxWapB
Download document 3: https://bit.ly/3Lw03Qw

Culled from a total of 9,067 entries submitted- the highest number ever recorded by the awards, since its inception – the AFRIMA jury selected a total of 382 nominations across 39 categories, to represent all five regions in Africa, as well as in the diaspora. Recall that the jury, composed of a 12-member panel of music experts, as well as the AUC, held a 10-day adjudication, in July, to sieve out the best of entries from the fray to make up the list.

Importantly, only entries within the validity period of August 20, 2021 to August 5, 2022, were considered for nomination for this year’s awards.

Leading the nominations on a regional basis this year is the Western African region, with 134 nominations, representing 35 percent; while the Eastern African region follows closely with 69 nominations, representing 18 percent; the Southern African region races closely with 68 nominations, representing 17.8 percent; while Central Africa pulls in its weight with 52 nominations, representing 13.6 percent; while the Northern African region follows closely with 49 nominations, representing 12.8 percent.

Also, the Global music region, which represents music from Non-Africans in the diaspora who still contribute to the growth of the African region, sums the list with 10 nominations, representing 2.6 percent.

Dominating the list with the most nominations, this year, is the South African maverick, Costa Titch, with six nominations for his 2021 smash hit, Big Flexa, in “Song of the Year”; “Breakout Artiste of the Year”; “Best African Collaboration”: “Best Artiste, Duo or Group in African Electro”; and “Best Artiste, Duo or Group in Use of African Dance/Choreography”.

Interestingly, the Congolese maestro, Dadju, ties with six nominations, as well, in “Best Male in Central Africa”; “Song of the Year”; “Album of the Year”; “Artiste of the Year”; “Best African Act in the Diaspora”; and “Best Soundtrack in a Movie, Series, or Documentary”.

Ranking closely with the third highest nominations is the Ivorian rapper Didi B who bags five nominations in “Best Male Artiste in Western Africa”; “Song of the Year”; “Album of the Year”; “Best African Rapper/Lyricist”; “Best Artiste, Duo or Group in African Hip Hop”.

Again, tying with five nominations, as well, is the Algerian Disc Jockey and Record Producer, in “Best Male Artiste in Northern Africa”; “Song of the Year”; “Best African DJ”; “Best African Act in the Diaspora”; and “Best Artiste, Duo or Group in African Electro”.

Also, ranking equally with the third highest nominations is another Algerian singer, Soolking, with five nominations in “Best Male Artiste in Northern Africa”; “Song of the Year”; “Album of the Year”; “Best Video”; and “Best African Act in the Diaspora”.

Lastly, closing the tie of artistes with the third highest nominations is the Egyptian rapper and record producer, Wegz, with five nominations in “Best Male Artiste in Northern Africa”; “Song of the Year”; “Producer of the Year”; “Artiste of the Year”; and “Best Artiste, Duo or Group in African Contemporary”.

Other artistes with four nominations are the Nigerian mavericks, Burna Boy in “Best Male Artiste in Western Africa”; “Song of the Year”; “Album of the Year”; and “Artiste of the Year”); Fireboy in “Best Male Artiste in Western Africa”; “Song of the Year”; “Producer of the Year”; “Artiste of the Year”; and “Best African Collaboration”; Kizz Daniel in “Best Male Artiste in Western Africa”; “Song of the Year”; “Artiste of the Year”; “Best African Collaboration”; and “Best Artiste, Duo or Group in African Pop”; and Tiwa Savage in “Best Female Artiste in Western Africa”; “Artiste of the Year”; “Best African Collaboration”; and “Best Artiste, Duo or Group in African RnB/Soul”.

The other African superstars with four nominations are Zakes Bantwini (South Africa) in “Best Male Artiste in Southern Africa”; “Best African DJ”; “Artiste of the Year”; and “Best Artiste, Duo or Group in African Electro”; Marwan Moussa (Egypt) in “Best Male Artiste in Northern Africa”; “Best African Rapper/Lyricist”; “Breakout Artiste of the Year”; and “Best Artiste, Duo or Group in African Hip Hop”; and Nomfundo Moh (South Africa) in “Best Female Artiste in Southern Africa”; “Album of the Year”; “Breakout Artiste of the Year”; and “Best Artiste, Duo or Group in African RnB/Soul”.

Interestingly, artistes who were recognized among the “Most Promising” category, last year, whose current nominations indicate that significant growth in their respective artistries include: Ckay (Nigeria) in “Producer of the Year”; “Artiste of the Year”; and “Best Artiste, Duo or Group in African Pop”; Ruger (Nigeria) in “Best Artiste in African Reggae, Ragga and Dancehall”; El Grande Toto (Morocco) in “Best Male Artiste in North Africa”; and “Breakout Artiste of the Year”.

Commenting on the nominations list, AFRIMA jury member representing the Southern African Region , Adam Tiran, said: “The sheer breadth of music from all over the continent that we considered at the AFRIMA adjudication, for this year’s awards, is mind blowing. It’s really encouraging to see so many African superstars on the list, as well as other rising stars who have had an amazing year, and, finally, a lot of brand new music discoveries. The future is bright for the continent!”

Importantly, the public voting portal for the 2022 AFRIMA edition would be live on Sunday, 25th September, 2022, at 12:00pm CAT. African music lovers within the continent, and around the world, can visit the official website www.AFRIMA.org to vote.

Voting closes at 12.00 (CAT), December 10, 2022, before the AFRIMA main awards ceremony.

“The nominees list comprising 29 continental award categories and 10 regional award categories released for public voting on www.AFRIMA.org. The remaining category for the “Legend Award” will be announced at the awards. Also, we brought back the “Best Soundtrack in a Movie, Series or Documentary” category, this year, due to the availability of quality entries for this year’s edition. Recall that we had to suspend it, last year, due to a shortage of quality entries.

“Overall, we are very proud and confident in our work, and we would continue to intensify our efforts to ensure AFRIMA remains the ultimate recognition of African music globally in line with its vision,” Head of Culture, African Union Commission on the Jury, Angela Martins, said.

Meanwhile, the 2022 All Africa Music Awards will now be held from the 8th to 11th December, 2022. A special announcement will be made on the host country and location for the awards, on 30th September, 2022.

The AFRIMA awards ceremony will feature a 4-day fiesta of music, glitz, and glamour aimed at celebrating Africa, recognising talents and expanding the economic frontiers of the culture and  creative industry on the continent. The event is scheduled to commence with the welcome soiree, followed by the AFRIMA Music Village, the host city tour, Africa Music Business Summit, and the exclusive nominees’ party and concluded with the live awards ceremony broadcast to over 84 countries around the world.

African music lovers can take part in the events on social media, live stream on the AFRIMA website at www.AFRIMA.org and visit the social media platforms (Instagram/Facebook – Afrima.official; Twitter – Afrimawards), and they can watch the event coverage by tuning in to their local and cable TV providers.

In partnership with the African Union Commission, AFRIMA is a youth-focused music platform that recognizes and rewards the work and talents of African artistes across generations.

AFRIMA primarily stimulates conversations among Africans, and also the rest of the world, especially on the potential of the creative arts for fostering real human enterprise, as well as contributing significantly to social cohesion, as well as sustainable development in Africa. The Programme of events is in line with the AU Agenda 2063 which outlines Aspiration 05 as the development of the arts and culture sector including its cultural and creative industries, to boost the development of the African economy.

Categories
African Arts

Adichie trends after speech on Nigeria lacking heroes at NBA event

Chimamanda Ngozi Adichie is known around the world for her best-selling books
Chimamanda Ngozi Adichie is known around the world for her best-selling books

 

World-renowned author Chimamanda Ngozi Adichie is trending in Nigeria after making a speech at the annual general conference of the Nigerian Bar Association, where she said that Nigerians were “starved of heroes” and that young people did “not find people to look up to any more”.

She also touched on Nigeria’s ongoing security challenges, such as the kidnapping-for-ransom crisis.

“Nigeria is in disarray. Things are hard and getting harder by the day. We can’t be safe when there is no role of law,” she said.

Online people have supported Adichie’s speech.

“Chimamanda Ngozi Adichie, is a fearless & ruthless lady. She say’s what she wants to say without any iota of fear,” one person tweeted.

“This woman be speaking directly from my heart,” another said.

Back in July, Ms Adichie announced she was backing Labour Party candidate Peter Obi to become the next president of Nigeria, saying she “cannot wait” to cast her vote for him in elections next year.

Among the notable attendees at the conference, were opposition PDP presidential candidate Atiku Abubakar and Mr Obi.

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African Arts

Ngũgĩ is one of the most important writers working today- Chimamanda

Kenyan novelist and playwright Ngũgĩ wa Thiong'o
Kenyan novelist and playwright Ngũgĩ wa Thiong’o

 

Acclaimed author Chimamanda Ngozi Adichie has praised veteran Kenyan novelist and playwright Ngũgĩ wa Thiong’o, calling him “one of the most important writers working today”.

In a video message on Facebook, the Nigerian writer describes the books by the Kenyan author “that everyone kind of knew” when she was growing up.

“I loved the romance in Weep Not, Child and loved how politically astute it was …it brings to mind that expression from Horace that the role of literature is to instruct and delight and Weep Not, Child did exactly that for me,” she says.

“It was also a kind of awakening for me to an idea of Africa that was not just about Nigeria.”

The Nigerian author says she went on to read other works by Ngũgĩ, noting of the world-renowned author: “I think [he] is one of the most important writers working today.”

“I read his memoirs… I remember felling this sense of affection and admiration and respect, he has exhibited a remarkable level of moral courage.

“I feel quite proud to be part of this modern African literary tradition that has as one of its brightest stars and one of its guiding lights – the great Ngugi wa Thiong’o.”

Social embed from facebook

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